Repertory
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Credo
“Mr. Neenan’s intriguing voice [holds] your attention” THE NEW YORK TIMES
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choreography
music
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Time Curves
“a gripping experience” WXPN's The Key
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choreography
music
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One Heartbeat Above One Shadow Below
“full of pulsing passion” The Dance Journal
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choreography
music
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Beasts
“wonderful, wonderful - and yet again - wonderful” The Philadelphia Inquirer
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choreography
music
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When We’re Alone
“as much entertaining as it was inspiring” Philadelphia Magazine
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choreography
music
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Talsikan
“under Cruz's investigation, the pointe shoe becomes everything it's not supposed to be” The Dance Journal
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choreography
music
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Triptych
“exuberant” The Dance Journal
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choreography
music
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Increasing
“vulnerable, openhearted and, above all, marvelously free” The New York Times
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choreography
music
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Beautiful Decay
“an evening of explosive, athletic dance” The Dance Journal
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choreography
music
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Instantly Bound
“a magical spell” The Dance Journal
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choreography
music
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Instant God
“sensuous, offbeat use of musicality” The Philadelphia Inquirer
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choreography
music
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Switch Phase
“modern...and especially refreshing” The New York Times
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choreography
music
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Differences in Sections
“give artists a canvas and they will fill it with beauty” The Philadelphia Inquirer
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choreography
music
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Mashup
“unpredictable, mysterious and at times flat-out hilarious” Philadelphia Magazine
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choreography
music
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Bare
“an undulating duet” Broad Street Review
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choreography
music
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Beside Myself
“an appealingly eclectic assortment of music” Broad Street Review
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choreography
music
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Silt
“a study in precision dance” CultureVulture
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choreography
music
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Still@Life
“the dance and the accompanying Bach music joyfully cascade together” Broad Street Review
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choreography
music
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Scenes View 2
“a talking dance” Broad Street Review
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choreography
music
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Frequencies
“offers a broad, pleasurable palette of movement, rhythms and music” Broad Street Review
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choreography
music
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